MEDELLIN GOES ON

SITUATION

The volumes doesnt have a big scale and protect with them shadow the space they are facing to, and are designed with an organic geometry and a diferente piece witch ends the linear secuence of spaces.

As we can see here the spaces are a combination of external factors.

And the geometry continues being defined... 

ARCHITECTURE EXAMPLES

THE IMPORTANCE OF THE PLACE

AS TEAM 10 STATES, IT'S IMPORTANT THE WAY OF ADAPTING TO THE SPOT NATURALLY.
HERE WE HAVE DIFERENT SOLUTIONS, AND ALSO WORKING PROCESS OF THE SAME IDEA.

JOSE ANTONIO CODERCH - UGALDE HOUSE


 CODERCH LEANS ON CONTOUR LINES TAKING ADVANTAGE OF THEIR GOOD SITUATION AND OBTAINIG SUCH IDEAL VIEWS AND SPACES MADE WITH ORGANIC ARCHITECTURE.


SOMETIMES, WHEN THERE'S NOT AN URBAN CONTEXT, GEOMETRY ACCURANCY OF STRAIGHT LINES IS TOO RIGID FOR ADAPTING TO AN ORGANIC SPOT AND IT IS POSIBLE TO HAVE ALSO SPACES REQUIRED IN THE PROGRAM, WHITCH CAN NEED A FREESTANDING NATURE.

 GLENN MURCUTT WORKS

THE KNOWLEGDE OF THE SITE ( WHERE WIND COMES FROM, SUN,TERRAIN, VEGETATION,LOCAL MATERIALS...) IS THE BEST WEAPON OF AN ARCHITECT.

THE SECTION DEFINES THE PROJECT AND THE RELATIONSHIP BETWEEN INTERIOR -EXTERIOR.

STILL WORKING

Two pavilions with different nature, different programs, and different sections.